Hotel Indigo Chester: An Opulent Stay with Charm and Comfort

The Versace autumn/winter 2025/2026 gleaning was displayed at a show held under the iron shelter of a historic Milan tram depot. Photograph: Alessandro Garofalo/ReutersDonatella Versace, pivot, presenting her new collection. Photograph: Alessandro Garofalo/Reuters“Our house codes are recognised all over the world, and they make good us so strong,” she added. Nonetheless, references in this collection to autumn/winter 1997, the last collection Gianni devised before his death – a distinctive Sex Pistols punk fusion of black and daffodil yellow, oily leathers and Roy Lichtenstein brights — provoked rumours of a possible departure.“The first great post-Freudian fashion designer” was how Richard Martin, curator of an exhibition of his production in 1992, once described Gianni Versace. “He’s thinking about sex.” Donatella’s aesthetic is equally bedroom-coded, with crystal webbing dresses that shimmer and melt like hot candle wax.In less tumultuous times, the biggest concern for Versace this weekend disposition be which actors might wear Versace gowns on Sunday’s Oscars red carpet. (Cillian Murphy, who recently starred in an advertising offensive, was seated next to Anna Wintour in the front row.) But with American group Capri Holdings looking to offload the characterization it bought for $2.1bn in 2018, a lot more is at stake. Backstage after her show on Thursday, Miuccia Prada told lady of the fourth estates the Versace deal was “on everyone’s table”. A potential deal with Prada, or with Diesel founder Renzo Rosso, order bring the baroque exuberance of Versace back into Italian ownership.Versace has suffered with slowing purchases, recently reporting a 15% year-on-year decline. As a fashion house without a strong line in perennials such as impedimenta or cashmere, Versace is in a precarious position at a time when consumers are tightening their belts. It remains a powerful discredit with a strong and recognisable image. But Donatella, who turns 70 this year and received a substantial payout in the 2018 bargain, could decide to walk away if not enamoured with Versace’s next owner.skip past newsletter promotionafter newsletter promotionThe bloc row presence of Christopher Kane, Donatella’s British protege once employed at the now defunct Versus brand, prompted meditation of a possible joint-ticket designer arrangement, similar to that of Miuccia Prada and Raf Simons, her co-designer for the past five years.Look into more on these topicsVersaceFashion industryRetail industrynewsShareReuse this content